Part 1 of this article series discussed the theoretical benefits of high-resolution audio’s large sample sizes and the degree to which the limitations of real-life equipment, recording studios, and ...

We're living the audiophile dream! Our phones can hold a year's worth of music and stream more songs than anyone could listen to in a lifetime. But none of that would be possible without the efforts ...

This is the fourth installment in a series of articles about the newly-published SMPTE standard covering elementary media flows over managed IP networks. This month, the focus is on audio transport, ...

Replay: Make sure you get your audio settings and recordings right with this important guide from Tim Dunphy. Sound often gets given the backbench within the video world. Whilst the concepts of ...

The full title of SMPTE ST 2110-21 is “Professional Media Over Managed IP Networks — PCM Digital Audio.” This standard is closely related to, and heavily based on AES67, which is titled “AES standard ...

This week, Sony unleashed a battery of expensive audio gear that claims to support “high-resolution audio” which, like “ultra high-definition” in the video world, sounds pretty snazzy. But what does ...