Pancho Rabbit and the Coyote,” performed on both sides of the border, offers an allegory about migrants, immigration agents ...
Houston Grand Opera announced the winners for this year’s Concert of Arias, the 38th Annual Eleanor McCollum Competition for ...
Performances in N.Y.C. Advertisement Supported by If opera at its best aspires to a different world, then we need to cultivate an anti-elite approach to how it is created and performed. By Yuval ...
San Francisco Opera announced a six-opera 2026-27 season, pointing to rising costs even as audiences grow and major donations ...
For half a century, Opera Ebony has been one of the guiding lights for Black performers looking to make their mark on the opera world. Born out of a necessity to develop talent often overlooked, the ...
In her incisive book “Black Opera: History, Power, Engagement,” the musicologist Naomi André frames black opera—opera that foregrounds black experiences, voices, and bodies—as a kind of shadow culture ...
Forbes contributors publish independent expert analyses and insights. Nadja Sayej writes about fashion, celebrity and pop culture. Maria Callas has always been a go-to fashion icon in opera history, ...
Jonas Kaufmann will no longer sing at London’s Royal Opera House — because, of all things, the pay is too low. “I don’t know how you do it,” the tenor recently told BBC Radio 3. In the same interview, ...