Winifred Sandys, "White Mayde of Avenel" (after 1902), watercolor on vellum, 8 × 6 inches. Delaware Art Museum, Samuel and Mary R. Bancroft Memorial, 1935 (all images courtesy Delaware Art Museum) ...
The Google Doodle for November 18 honors Fanny Eaton, a muse to the Pre-Raphaelites who helped redefine Victorian standards of beauty. Born in Jamaica on June 23, 1835, Eaton moved to London in the ...
Publication date from publisher's Web site. "Checklist of works exhibited in Washington": pages 246-249. "The Pre-Raphaelite Brotherhood shook the mid-19th-century art world. Effectively Britain's ...
The pre-Raphaelite movement in America: an introduction -- The British brotherhood -- Buchanan Read and the Rossettis -- William J. Stillman: "The American pre-Raphaelite" -- The Crayon: the first ...
Country and Town House on MSN
Take up residence at the home of a Pre-Raphaelite painter
In 1848, there was only one clique to be in. And any artist worth their salt stuck outside the sacred circle would look on in ...
LONDON (Reuters) - Victorian art is making a comeback in London this summer with a major exhibition, and the biggest retrospective to date, of works by John William Waterhouse, who died in 1917. The ...
*Refers to the latest 2 years of stltoday.com stories. Cancel anytime. A brotherhood of English 19th-century artists enamoured with the past became inspired by art from the early Renaissance and ...
This exhibition makes a strong case that the Pre-Raphaelites offered much more than a lot of pretty faces. The paintings are organized mostly thematically, with hints toward chronological ordering as ...
LONDON (Reuters Life!) - Victorian art is making a comeback in London this summer with a major exhibition, and the biggest retrospective to date, of works by John William Waterhouse, who died in 1917.
There she is in Order of the Release, 1853 (pictured right), posing as the wife of an imprisoned Jacobite Highlander. I like to imagine this brilliant composition as a reflection of her marriage.
The English don’t really like art,” a celebrated (English) abstract sculptor told me, some time ago. “We like literature and nature—gardens and landscape. That’s why we admire all those artists who go ...
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