The New York Times

Opera Doesn’t Have to Be an Elite Art Form. Here’s Why.

Performances in N.Y.C. Advertisement Supported by If opera at its best aspires to a different world, then we need to cultivate an anti-elite approach to how it is created and performed. By Yuval ...

Opera is waging a battle to save itself in the modern world — and against self-inflicted wounds

Jonas Kaufmann will no longer sing at London’s Royal Opera House — because, of all things, the pay is too low. “I don’t know ...
The New York Times

‘The Singer in the Village’ Who Became an Opera Star

Performances in N.Y.C. Advertisement Supported by During a break at the Royal Opera House, Aigul Akhmetshina discussed her action-packed career, “Carmen” and her mission to spread her love of opera.
NPR

Opera Ebony broke boundaries in classical music for 50 years — but what comes next?

For half a century, Opera Ebony has been one of the guiding lights for Black performers looking to make their mark on the opera world. Born out of a necessity to develop talent often overlooked, the ...